LCC Assignment #4: Formal Portraits

by Will Clarkson


A simple brief - produce formal portraits, and the previous restrictions are now entirely removed. A few of us went out with a black sheet and a simple flash set up and grabbed whoever was passing. It turned out to be a really great venture as we managed to meet some really fun and interesting (looking) people. The one problem was that the project was pretty unjournalistic in terms of the fact that we gleaned extremely little amounts of actual back story or information on each subject. In future, I guess it ould be nessecary to be a little more thorough. In the meantime, though, I hope you like the shots. The first stop was Exhibition Road, between the V&A and The Natural History Museum. 

 

We then went to the St Pauls occupy protest, where people were queueing up to be photographed. 

Finally we went to the Victoria Coach Station the next day, and caught all passers by again. 


LCC assignment #3: Human Relationships

by Will Clarkson


Easily the hardest to tackle. The photos are the most satisfying when successful. The brief was the same as the previous assignments (black and white, ISO400, 35mm or 50mm lens, manual exposure and focus, no post-processing), except to capture human relationships. This is an extremely wide brief, and oddly enough it makes the initial step a lot more difficult - finding your subject. 

Some friends of my brothers were very kind and allowed me into their house for the afternoon to spend a little time with them and their two boys Lucas (4) and Arthur (2). This was very fortunate and great fun. I found that putting the camera down for a while and just talking/playing around was the most beneficial approach, as it meant I was a lot more involved and the subject relaxed considerably when it was time to pick up the camera. I also didn't waste a great deal of energy taking shots that were not relevant to the brief, so I think that the images I did take benefited. Anyway, here are a couple from that day:

 

Arthur stealing mini eggs

Lucas (left) and Arthur giving Dad painkillers for his broken ankle

I wanted a working relationship of some sort to compare against this personal familial one, so I asked the guys at British Military Fitness if I could head down to shoot one of the sessions on Hyde Park. I was very lucky and was allowed to do so, and in excellent light. The trainers are all either ex army or currently serving, and the regime takes a very military bent, which is great for the relationship side of things. Here are a few:

All in all, I found this pretty hard work. On achieving access the actual job was ok, but it was the access that was a really tricky part. I think that the brief is a good one for training, but I think that relationship shots will be a lot easier on a longer term project where access has become a given and where the characters involved are far better known and understood. 


LCC Assignment #2: Street photography.

by Will Clarkson


 

A much discussed genre, and one that lives in the folklore of photojournalists and photograpers alike. Instinctively I shy away from this medium, and initially I thought this was some intellectual stance, but in actual fact it comes from a much more emotional angle. I really cannot stand confrontation and this was exactly what you are in constant risk of. In the UK people can be highly paranoid about being recorded, be it film, audio or video. There is a suspicion of all instruments that might mean they are recorded in a context that they do not want. I can't really work out if it is a distrust thing or a control thing - people nowadays obsessively tweak and control their public/online persona and image for the purposes of...well I literally have no idea. Anyway, whatever it is, they dont like it. 

Speaker's Corner

I felt that I would be out of my depth here, so I decided for a lot of shooting over four days all over London to see what I could achieve and learn. I tried to avoid agenda or intent with the shots and to just go with the flow, see what the outdoors brought me. The one theme I really found however was that it was a particularly lonely experience, and I hoped to get this into a few of the shots I took towards the end. 

All in all, I never even saw, let alone photographed, a 'decisive moment' that was initially talked about by Cartier-Bresson, and at the other end of the spectrum I never wanted to copy Bruce Gilden's aggressive hit and run tactics. I would need to spend a lot more time to see the former, and I hope to never do the latter! 


LCC Assignment #1: People in the workplace.

by Will Clarkson


I am catching up with the blog postings, so I will keep this brief. With criteria of totally manual on the camera, black and white only, and only one length of lens allowed, I quickly felt out of my depth. From the start, focus was a problem:

Ben at the Purple Bone dog groomersThe next assignment was  metal worker in Kew, so a different exercise but one that was great fun with all the dark shadows and old school practices and so on. I tried to capture this alongside the more modern methods of working such as welding. 

Shelley, London Forge, Kew

...and finally the stone worker, by this point I was definitely becoming more comfortable, and besides that got a little lucky with the good light. I put a couple in as I spent a little time trying to mix up what was essentially a very simple job that he was doing:


LCC

by Will Clarkson


The entries on this blog will alter a little for this year, as I am taking a masters in photojournalism and documentary photography at the LCC. The course will take an analytical view of images, but I hope that the writing will still be of interest to anyone who happens to come across the blog in 2012!


The Hawk Conservancy

by Will Clarkson


Just spent the morning at the hawk conservancy. I had limited succes, but the wild red kites (oddly enough) were the highlight. Here are a few shots. 


Red KiteRed KiteGreat Grey Owl (captive)

 


Murmuration

by Will Clarkson


On the way back from Scotland, I decided to drop in in Gretna Green for the sunset, to try to see my first ever murmuration. I was blessed with a great sunset and an amazing experience. I hope I get to see a load more of these, and I highly recommend anyone else to find one near them, it is an awesome spctacle. 

 


Becoming a Photographer Part 2: The Grass is Greener

by Will Clarkson


Loch Lomond in the mist, on the drive north to photograph ptarmiganI am 20 metres from the top of the mountain, with 15kg on my back. I am unfit and it hurts. Why on earth am I doing this? Why am I punishing myself up this enormous hill to photograph something that is already heavily photographed? What can I possibly bring to the table that someone out there has not already brought? Why on earth did I leave my salaried job two months ago in the midst of a recession? Am I really making a good decision? Should I jack this climb in, walk back to the glen floor and head back to London, beg for my job back? How on earth can I earn a living from photography? Why am I growing this ridiculous moustache (because it is awesome is why, but I am in doubting-myself mode)? Worst of all, who on earth, in his right mind, chooses an over-saturated job (freelance photography), and then decides he likes the most over-saturated medium (wildlife)? I should stop this venture before it is too late to go back to the safer jobs.

I don't only photograph wildlife; I split my time equally between various jobs in London and nature. For some people, starting up on their own is a natural thing. The self-discipline and drive is innate, the bad days accepted and forgiven and the good days exploited and profited from in equal measure. New contacts and potential business partners are developed and used until the best possible outcome has come. Risk comes naturally to these people. They are the explorers of old, the people who seem to land on their feet no matter how far they have fallen.

I envy them. I am most definitely not one of these people. They probably revel in their risks. I have spent a great deal of time in the first month after leaving my previous job wondering what to do, paralysed by fear, not reveling in the risk. It is fear of failure most of all, after all it is not often that someone actually follows their passion. It is pretty terrifying - if you fail at something that you are not too fussed about, you're subsequently not too fussed about the fall from grace. At least this is how I see it, anyway. Now that I am trying to do something I think I might be good at, I am scared. What if it falls flat on its' face? The nurtured hobby that provides self-esteem could be undermined forever by a large failure. Will I ever get a job again, considering the financial climate? I think not. Naturally, I'm a pessimist about my return prospects. I don't look forward to speaking to my old boss, him no doubt taking great pleasure in re-interviewing me. He is a little envious of my new life, but my grass looks very green from his side of the fence (I know, I sat there for four years). He doesn't know what it is like over here. It is way too scary. 

About a month after leaving, I had a particularly slow and wasted week. I was going insane with boredom. I realise that for the first time ever I am my own boss.

I grew bored of myself. I grew bored of waiting. Sod it. I am going to do something. Anything. So I went to the Peak District on a whim, and sat on a foggy moor photographing red grouse. I am good at red grouse, so this is a good start, somewhere confident. I was on a fresh high. I went to Leicestershire and failed to photograph brown hares. I got pheasants in abundance, but they are not exciting. Another failure, in my book. 

The ever-present pheasant

The ever-elusive brown hare

The following week I went to Scotland, in search of ptarmigan. For those of you that don't know, these are from the grouse family and live on top of Scottish mountains (for the most part anyway, they are all over the world and like cold rocky places). I waited for two days for the weather to be good enough. The third day brings what I need, so I set off up the hill, a fresh positive frame of mind forms.  

So…I am 20 metres from the top, the moment at which I am questioning myself. Time for a rest. I turn and sit on the slope, not a sound around me and not a peep from the ptarmigan yet, I’ve not even seen a red deer yet but I can hear a young stag in the distance roaring – the older stags have stopped by now. As I turn the view behind me of the glen opens up, it is magnificent, the river (burn?) snakes along from far up the glen to my right, out to a loch in the distance, nearly on the horizon. I look up and stop and stare, transfixed. There is a vast shadow. Just above eye level, about 5 metres away, is a fully-grown male golden eagle, all 6 feet of wingspan, hovering motionless and staring at me, inspecting me. I don't bother getting the camera out of my bag, I know he will be gone in a few seconds, much too quickly for me to get set up. A huge smile appears on my face, this is excellent. This is why I want to do stuff like this, all the worries evaporate, he hovers motionless for another few seconds, still watching me, then starts to slide on the wind to another side of the mountain, and eventually out of sight. Later on, I find the ptarmigan, I didn't take particularly good photographs of them, but I don't care. I can come back. 

I sent the story to my old boss, and I sent him a photo of where the eagle would be had I photographed it. The grass on my side is way greener.

PtarmiganPtarmigan in flight


Peak District, Mist, and Red Grouse

by Will Clarkson


Last week I had a little spare time, so went north to the Peak District to my favourite place to see some red grouse where, in some places, they are in abundance. Sadly the weather wasn't great, so I set about taking some silhouette shots. The first photo below was the (terrible) view at dawn. 

...but it cleared up...

...and I got some better shots (more of these on my wildlife page).

 

But I was there for two main reasons: Firstly, I wanted to get shots of grouse flying, something I had never got before. I also wanted the birds in landscapes, with a larger pictre. Here are my first attempts at this:

 


Richmond Park (the lazy man's wildlife photography)

by Will Clarkson


 

With the spate of good weather recently, I took to the early mornings again and headed to the nearest place I could find for some excellent wildlife. The red deer in Richmond were fully in the rut and I was immediately surrounded by a world of roaring stags and pestered hinds. What strikes me the most in these places is the wild stag against the backdrop of a city. Looks very odd. 

 

 

That was not all that was on display those two mornings, there were fallow deer

 

On top of that there were a variety of other species knocking about, and of course a couple of landscapes to take.

If I am totally honest, I feel that there is not a lot to say ont he subject of Richmond Park. I can't believe that we see any behaviour on display that is unaffected by human presence in the larger species. I do love seeing the parakeets in their abundance, although I am having massive trouble photographing them in flight. I managed to fill two entire memory cards with basically zero success. To the next sunny day and next time...


A Scottish Summer

by Will Clarkson


I've spent a grand total of four weeks in Scotland this summer, and as always the camera was by my side. Photographers are not always the most popular or social of holiday partners, the best time for photography being the crack of dawn and dinner/drinks time, but we tend to come back with some decent shots. Hopefully. Sometimes. I have took a load of photos so I thought I would share a few. The rest are here.

Anyway the plan was wildlife to start, but the more Scotland seen means the more incredible landscapes that appear. I am not a particularly strong landscape photographer but as you can see I gave it a bit of a shot.


I cannot ascertain what it is about the highland scenery that I find so attractive, but the early morning light makes for great photos and it’s been an excellent summer. I plan on heading back there in November on a bit of a project...namely involving black and red grouse, ptarmigan and deer, but most likely involving more landscapes and trying to avoid sleeping in the heather at sunrise. 


 


Pugs Hole 2011

by Will Clarkson


A great weekend, and a great place to be asked to take photos. Pugs Hole 2011 was excellent - here are a few photos for ayone interested. If you want to see the full gallery, they are all up on facebook. 

 

 

 

 

 


Becoming a Photographer part 1.

by Will Clarkson


I took the jump from an established position on a strong team in the city, and am now trying to become a photographer. This was not a poorly researched endeavour, in fact I spent a great deal of time looking into it and speaking to various people in the industry. I was, and still am, met with scepticism and disbelief on the whole. The slightly older generation of photographers look confused and ask me why, and isn't that a little mad? On first and entirely non-scientific observation, I find that those that started their careers in 35mm film format are a lot more negative (pun not intended) than those that started in the digital age, and I think that this is to do with expectation. The photographer, as an entity, was once in higher demand on a more linear, simple basis. Currently the traditional revenue streams are shrinking rapidly. However now I think that theres a wealth of new demands for imagery that is now developing, and the challenge to learn a little diversification and subsequently time-management and choice-management (is that a phrase?) is imperative.

The point is that with the advent of cheaper digital methods, just about everyone seems to be a keen and high quality photographer. Two things spring to mind - firstly what on earth do I have to do to separate myself from the keen amateurs, and step into the realm of 'professional' (seriously, please comment, I am all ears)? Secondly I think the image-making industry as a whole is actually hitting the levels of competition seen in every other market where there's good money to be had - this is a natural process and I am just unfortunate that I wasn't around earlier to take advantage of the opportunities available. Regardless, a lot of people are still making a living out of the business, but now we just see more failing early on. Competitive markets are hard to make money in as an individual, but are of a far higher quality as a whole. 

Anyway, I'm starting out, and am already preaching as to the state of the industry. I should probably stop, as I will have to write again/eat my words in a few years time! Here is my plan though (something that will be eternally ephemeral in substance and in subject): As a wildlife photographer recently said, the most powerful method is through narration not imagery, of any kind, so I intend to put a few things together. Alongside a few less idealistic and more money-making jobs of course! Here's hoping I start to gather a little momentum.

Here is a photo of a dog and one of a hoverfly in a shaft of light, in order to keep gratuitously to the soul of what is a photographer's blog:


Poncho No. 8

by Will Clarkson


Just visited the new Poncho No 8 in Soho. Its an excellent restaurant, and the guys there were looking for a few shots of the first couple of weeks of business. The first two openings (Spitalfields and St Pauls) have seen enormous and rapid success and there's every reason to expect the Soho one to do the same.

I stopped in very briefly to see the guys to get some shots for them for posterity. The shop was being extremely well run at the time by Dimitris and Sarah and the food was excellent. I highly recommend visiting there, and although the wall says its a tough choice, I'm definitely of the burrito pursuasion - they are simply amazing.


Commission Claire Delap

by Will Clarkson


Claire met Rusty a year ago in the Lost Angel bar in South London. She wanted to buy him an anniversary present so came to me, and we decided to go for a shot of the bar at night-time. Sadly neither Claire nor Rusty can remember the place at the bar that they met, but they are certain that it did happen there. Luckily for me the rain stopped, and there was a wedding party leaving as I arrived, so I had a lot of fun capturing the drunken blur on the people leaving. Hopefully this might jog the memories of Claire and Rusty. 

 


Commission Bunny and Charlie Ferguson-Davie

by Will Clarkson


"I would like a picture of dogs racing". This was the brief Bunny gave me for a photo to hang in her new house. Its always great to get a commission that is so open and simple. The wimbledon dog track, while not quite holding the sporting grandeur of it's past, is still pretty busy on the weekend. A lot of the younger people there are there purely for the cheaper drink, but there remains the old-school bookies and the longstanding community of punters, trainers and owners. A successful dog can take an enormous amount of money (the 2010 winer of the william hill derby won £75,000), so there is very much an industry still there. Its the antiquated atmosphere there that really appeals.

Anyway, with a little help from the excellent security guard Nelson, I managed to get myself into a decent position at the corner. The dogs can run up to 40mph, so naturally it took a few races (5 in fact) to get the shot, this is the one that Bunny chose. She has blown it up to 3mx1m and has it in pride of place above the kitchen table in her new house.